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Pen, ink and colour illustration of the story of The Witch of Beinn A’Ghlo
Fine art giclee print. Printed on satin gloss to prevent black ink from scratching.
Legend has it that in the mountains overlooking Blair Athol Castle, an infamous witch hid amongst the corries and hills.
Using their powers, they would shape-shift to take the form of an eagle, a deer, or even a raven and terrify local people, driving their cattle into mires and riding their horses until they collapsed with exhaustion, and it’s claimed they even destroyed a bridge!
“She heard him on her mount of stone: Where on snakes alive she was feeding alone.” - Local poem, by unknown author.
The Scottish witchcraft panic of 1597 was a year that saw large-scale witch hunting around Scotland in a time of political and religious instability, with famine blamed on innocents accused of witchcraft.
Available as:
A2 23.4”x16.5”/594×420mm fine art giclee print
A3 16.5”x11.7”/420×297mm fine art giclee print
A4 11.7”x8.3”/297mmx210 fine art giclee print
Pen, ink and colour illustration of the story of The Witch of Beinn A’Ghlo
Fine art giclee print. Printed on satin gloss to prevent black ink from scratching.
Legend has it that in the mountains overlooking Blair Athol Castle, an infamous witch hid amongst the corries and hills.
Using their powers, they would shape-shift to take the form of an eagle, a deer, or even a raven and terrify local people, driving their cattle into mires and riding their horses until they collapsed with exhaustion, and it’s claimed they even destroyed a bridge!
“She heard him on her mount of stone: Where on snakes alive she was feeding alone.” - Local poem, by unknown author.
The Scottish witchcraft panic of 1597 was a year that saw large-scale witch hunting around Scotland in a time of political and religious instability, with famine blamed on innocents accused of witchcraft.
Available as:
A2 23.4”x16.5”/594×420mm fine art giclee print
A3 16.5”x11.7”/420×297mm fine art giclee print
A4 11.7”x8.3”/297mmx210 fine art giclee print